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Here, ethno-nationalism prevails and the fear of the vanishing of the nation is strong. It is a long way to go but this excellent book published by Cambridge Scholars Publishing is a big step forward. Therefore, the main methodological innovation of this volume consists in its approach to the sources. Even their motives have changed: according to various research and surveys, reasons for leaving are no longer exclusively economic, but social as well, such as corruption, injustice and lack of hope for a better future.

Eastern Europe faces a demographic crisis of its own making

In addition to investigating the cohesive forces that mark the postcommunist Eastern European region as a coherent cultural entity in its cinematic representations, the volume also stands as a witness to the importance of transnational approaches. Her research concerns film cultures in mainstream and peripheral contexts, focusing on film genres and production issues, as well as eastern european film and cultural trauma theory. She has published three volumes and a large number of studies, reviews and criticism focusing on film history and the theory of small and mainstream cinemas.

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Therefore, the main methodological innovation of this volume consists in its approach to the sources. By broadening the canon of national cinemas to the transnational market, this collection of articles comes at a time when there is growing interest in cultural global integration.

Eastern Europe faces a demographic crisis of its own making Ethno-nationalism prevails and the fear of the vanishing eastern european the nation is strong Mon, Feb 24,Slavenka Drakulić More than 20 million people or about 4 per cent of EU inhabitants are from some other member state and that percentage continues to grow. Bywith 22 per cent less inhabitants, Croatia will be a poor country of old people with nobody to support them, he predicts. If it is of any consolation, Croatia is not alone in this predicament.

Even though the influence of postcolonial studies is mostly discussed in the background of cultural representations, the volume takes an innovative turn under the umbrella term of transnational approach, leaving the area open for further research. The scope of the articles spreads from major theoretical issues of interpretative methodology, canonization, and genre typology to very specific, close readings of individual films.

These features of our being in the world are fundamental in the medium of cinema, which is an art of spaces, bodies, and memories, increasingly so today when the analogue platform has been running parallel with the digitalized method of filmmaking. The three nodal concepts define the tripartite structure of this volume, composed of an overview study and twelve case-studies of post Eastern European film and cinema.

The relevance of the postcolonial approach and its rich intersections with postsocialist layers are justified not explicitly but embedded in their selection of films and topics in many cases related to power.

Since there is no room for a comprehensive overview of the whole volume, let me highlight only a few chapters. Bywith 22 per cent less inhabitants, Croatia will be a poor country of old people with nobody to support them, he predicts. If it is of any consolation, Croatia is not alone in this predicament.

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Today, more than 20 million people or about 4 per cent of EU inhabitants are from some other member state and that percentage continues to grow. In the next few decades Bulgaria will lose about 39 per cent of its population, followed by Romania with 30 per cent and Poland with 15 per cent.

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From the countries outside EU, both Bosnia and Herzegovina and Serbia will lose about one third and Albania 18 per cent. Depopulation is far from a new phenomenon in the Balkans, from the mass emigration to the US in the early 19th century to the gastarbeiter guest workerswho in hundreds of thousands left Yugoslavia for Germany and other western European countries in the late s eastern european s, thereby saving the Yugoslav economy.

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While many never returned, the balance at the time was kept by a high birth rate. That has now changed and with the wars in former Yugoslavia in the s, Croatia lost more thaninhabitants, either as war victims, refugees or emigrants.

  • Его голос был очень слабым, но в нем не чувствовалось тревоги или страха.
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Finally, the latest migration wave to the West has meant that the population has fallen under four million. However, the new wave of intra-European migration is different from the previous ones. Now, for the first time in history, this part of Europe is experiencing a real brain drain.

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No less than 32 per cent of these mobile EU citizens that is the term used have university degrees. A ratio like this is unprecedented and meanwhile, Bulgarians and Romanians are almost left without both specialised physicians and nurses.

The problem is of such a magnitude that a former Romanian minister suggested to legislate against emigration lasting longer than five years. Nationalist governments

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